PUBLICATIONS
Sharjah Biennial 15: Thinking Historically in the Present : Guidebook. Edited by Hoor Al Qasimi. Sharjah Art Foundation, 2023.
The Other Kabul: Remains of the Garden. Edited by Verein Treibsand. Hirmer Publishers, 2022.
LINK TO PUBLICATION
The Other Kabul: Remains of the Garden. Kunstmuseum Thun brochure, 2022.
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Dadi, Iftikhar, and Elizabeth Dadi. “Artists’ Project: Tasavvur (Imagination).” In Old Stacks, New Leaves: The Arts of the Book in South Asia, edited by Sonal Khullar. Seattle: University of Washington Press, 2023.
LINK TO PUBLICATION
Dadi, Iftikhar, and Roobina Karode, eds. Pop South Asia: Artistic Explorations in the Popular. Sharjah Art Foundation, 2022.
Dadi, Iftikhar. “Timepass.” In Best! Letters from Asian Americans, edited by Christopher Ho and Daisy Nam, 251–55. Brooklyn: Paper Monument, 2021.
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Mufti, Aamir R. “Bricolage Within the Imperial Divide: Introduction to Iftikhar Dadi and Elizabeth Dadi’s Jugaad.” ARTMargins 9, no. 3 (October 1, 2020)
LINK TO PUBLICATION
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Homelands: Art from Bangladesh, India and Pakistan. Edited by Devika Singh and Amy Tobin. Cambridge: Kettle’s yard, University of Cambridge, 2019.
LINK TO PUBLICATION
Journey through Asian art : Fukuoka Asian Art Museum 20th anniversary exhibition (2019).
Lahore Biennale 01 Guidebook. Lahore: Lahore Biennale Foundation, 2018.
15 Invitations 15 Years: Rashid Rana. Hong Kong: Asia Art Archive, 2017.
LINK TO ASIA ART ARCHIVE
The Missing One. Edited by Nada Raza. Oslo: Office for Contemporary Art Norway, 2016.
Dhaka Art Summit 2016 Exhibition Guide. Edited by Diana Campbell. Dhaka: Samdani Art Foundation, 2016.
LINK TO PUBLICATION
Cultural Anthropophagy: The 24th Bienal de São Paulo 1998. Edited by Pablo LaFuente and Lisette Lagnado. London: Afterall Books, 2015.
LINK TO PUBLICATION
Vasl Artists’ Collective Pakistan 2007-2014. Karachi: Vasl, 2015.
LINK TO PUBLICATION
Caught in the Crossfire: Artistic Responses to Conflict, Peace and Reconciliation 25 January - 7 July 2013. Herbert Art Gallery & Museum, Coventry.
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Lines of Control: Partition as a Productive Space. Edited by Iftikhar Dadi and Hammad Nasar. London; Ithaca, NY: Green Cardamom; Herbert F. Johnson Museum of Art, 2012.
LINK TO PUBLICATION
Smith, Terry. Contemporary Art: World Currents. Upper Saddle River: Prentice Hall, 2011.
LINK TO PUBLICATION
Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London: Whitechapel Gallery, 2010.
LINK TO PUBLICATION
The Rising Tide: New Directions in Art from Pakistan, 1990-2010. Edited by Naiza Khan. Karachi: Mohatta Palace Museum, 2010.
LINK TO PUBLICATION
EV+A International: Biennial of Visual Art. Edited by Apinan Poshyananda. Limerick, Ireland: Eva International, 2002.
International 2002: Liverpool Biennial. Edited by Lewis Biggs. Liverpool: Liverpool Biennial of Contemporary Art, 2002.
Let’s Entertain: Life’s Guilty Pleasures. Edited by Philippe Vergne. Minneapolis: Walker Art Center, 2000.
LINK TO PUBLICATION
Independent Practices: Representation, Location and History in Contemporary Visual Art, edited by Bryan Biggs, Angela Dimitrakaki and Juginder Lamba. Liverpool: Bluecoat Art Center, 2000.
The 1st Fukuoka Asian Art Triennale 1999. Fukuoka: Fukuoka Asian Art Museum, 1999.
LINK TO PUBLICATION
Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art. South Brisbane: Queensland Art Gallery, 1999.
LINK TO PUBLICATION
Travel Worlds: Journeys in Contemporary Cultural Politics. Edited by Raminder Kaur and John Hutnyk. London: Zed Books, 1999.
XXIV Bienal de São Paulo: “Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros.” São Paulo: Fundação Bienal de São Paulo, 1998.
LINK TO PUBLICATION
Khoj 1997: International Artists Workshop. Edited by Pooja Sood. New Delhi: Khoj International, 1997.
Mappings: Shared Histories: A Fragile Self. Edited by Pooja Sood. New Delhi: Eicher Gallery, 1997.